Download Notable Acquisitions, 1983-1984 PDF Free

Notable Acquisitions, 1983-1984 PDF
By:Metropolitan Museum of Art (New York, N.Y.)
Published on 1984 by Metropolitan Museum of Art

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Download The Altered Landscape PDF Free

The Altered Landscape PDF
By:Nevada Museum of Art,Patricia Nelson Limerick,Dave Hickey,Thomas W. Southall
Published on 1999 by University of Nevada Press

|This book is intended as an introduction to The Altered Landscape Collection. But even more, it introduces readers to the specific aesthetic objectives of the artists creating the photographs and to the larger issues of humankind's attitudes toward and uses of the land.|--Jacket.

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Permanent Collection PDF
By:Heidi Zuckerman
Published on 2018-02-27 by

The fourth issue in the Aspen Art Museum's Permanent Collection publication series continues to match new voices to those of artists, writers and curators from the museum's extensive history. Issue IV focuses on the idea of chance and its role in artistic production.

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Download Handbags PDF Free

Handbags PDF
By:Judith Clark,Caroline Evans
Published on 2012 by

An exploration of the role of the handbag in the history of culture, fashion, and material production

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Download Critical Cartography of Art and Visuality in the Global Age PDF Free

Critical Cartography of Art and Visuality in the Global Age PDF
By:Anna Maria Guasch Ferrer,Nasheli Jimenez Del Val
Published on 2014-10-17 by Cambridge Scholars Publishing

Critical Cartography of Art and Visuality in the Global Age poses fundamental questions and pinpoints topical discussions central to the field of contemporary art studies in the global age. Resulting from a series of conversations that took place at the international conference ||Critical Cartography of Art and Visuality in the Global Age|| (Barcelona 2013), the volume brings together current debates in cultural and identity-based art histories as a means of expanding the territory of contempor...

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Download Guide to Programs ... Fiscal Year PDF Free

Guide to Programs ... Fiscal Year PDF
By:Pennsylvania Council on the Arts
Published on 1985 by

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Download The Ashmolean Museum, Oxford PDF Free

The Ashmolean Museum, Oxford PDF
By:Arthur MacGregor
Published on 2000-01 by Ashmolean Museum

This guide provides a historical introduction to Oxford's Ashmolean Museum which is recognised for the its collection of antiquities, Western and Eastern art, coins, medals and casts from classical statues. It highlights the favourite pieces and gives floor plans, opening times and information

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Download Treasures of Gilcrease PDF Free

Treasures of Gilcrease PDF
By:Anne Morand,Daniel C. Swan,Kevin Smith,Sarah Erwin
Published on 2005-01-01 by University of Oklahoma Press

In 1938, Thomas Gilcrease, a native of Tulsa, Oklahoma, opened the first museum devoted to the art of the American West. A true visionary, Gilcrease was ahead of his time in understanding the importance of America’s own heritage. His passion for art and history, his Native American ancestry, and his oil revenues coincided in a rare alignment. His legacy is an astounding collection of paintings, sculptures, artifacts, rare books, and documents. This lavishly produced book, featuring nearly two hundred color reproductions, tells the story of Gilcrease and of the renowned museum that bears his name. Compiled by the museum’s curators, Treasures of Gilcrease exemplifies the beauty and breadth of the museum’s resources. The fine art collection alone boasts more than 10,000 American works, ranging in styles from classical to romantic to impressionist and by such master artists as George Catlin, Charles M. Russell, Thomas Moran, and Frederic Remington. The works by Native artists also span styles ranging from painted hides to twentieth-century flat-style. The artifacts—300,000-plus pieces housed in the galleries and vaults—include ceramics, clothing, pipes, and objects of utility, ceremony, and ornamentation. The archives collection contains some 100,000 manuscripts, books, photographs, maps, imprints, and broadsides. Treasures of Gilcrease offers a vivid and engaging tour through these collections in the company of the experts who know them best.

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Download Gluck PDF Free

Gluck PDF
By:Amy De La Haye,Martin Pel
Published on 2017 by

|Hannah Gluckstein (who called herself Gluck; 1895-1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck'slife and work, examining, among other things, the artist'snumerous personal relationships and contemporary notions of gender and social history. Gluck'spaintings comprise a full range of artistic genres--still life, landscape, portraiture--as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artistis known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter. |--

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Download Curating Archaeological Collections PDF Free

Curating Archaeological Collections PDF
By:Lynne P. Sullivan,S. Terry Childs
Published on 2003 by Rowman Altamira

Introduction to curation and preservation of archaeological materials. Visit our website for sample chapters!

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Civil Code of the State of Louisiana PDF
By:Louisiana,Wheelock Samuel Upton
Published on 1838 by

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Download International Sculpture PDF Free

International Sculpture PDF
By:
Published on 1986 by

This Book was ranked at 34 by Google Books for keyword Permanent Collections.

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Download Annual Report PDF Free

Annual Report PDF
By:Pennsylvania Academy of the Fine Arts
Published on 1985 by

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Download Maya Lin PDF Free

Maya Lin PDF
By:Maya Ying Lin,Jeff Fleming,Michael Brenson,Terri Dowell-Dennis,Southeastern Center for Contemporary Art
Published on 1998 by

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Download Collecting the New PDF Free

Collecting the New PDF
By:Bruce Altshuler
Published on 2013-10-24 by Princeton University Press

Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected. Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works--for example, what is to be done when deterioration is the artist's intent? The contributors are Christophe Cherix, Vishakha N. Desai, Steve Dietz, Howard N. Fox, Chrissie Iles and Henriette Huldisch, Pamela McClusky, Gabriel Pérez-Barreiro, Lowery Stokes Sims, Robert Storr, Jeffrey Weiss, and Glenn Wharton.

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British Art, 1740-1820 PDF
By:Robert R. Wark,Guilland Sutherland
Published on 1992-01-01 by Huntington Library Press

This book marks the retirement of Robert Wark as Curator of the Huntington Art Collections and reflects his wide interests in the field of British art. Contributors include Shelley Bennett, David Bindman, Martin Butlin, Patricia Crown, Robert Essick, John Hayes, Ronald Paulson, Jules Prown, Graham Reynolds, and Duncan Robinson. Topics covered in this volume include the connection between the political and the aesthetic in Hogarth's art, verbal/visual relationships in British book illustration, Blake's illustrations to Paradise Lost, late-eighteenth-century portrait miniatures, Cotes's double portrait of the Crathornes, the French Revolution in English graphic art of the 1790s, comic art and the rococo, a study of a Reynolds portrait, and a tribute by John Hayes to Robert Wark's thirty-five years of curatorship of the Huntington Art Collections. The essays are accompanied by 122 color and black and white illustrations of items from leading British and American art collections. This book marks the retirement of Robert Wark as Curator of the Huntington Art Collections and reflects his wide interests in the field of British art. Contributors include Shelley Bennett, David Bindman, Martin Butlin, Patricia Crown, Robert Essick, John Hayes, Ronald Paulson, Jules Prown, Graham Reynolds, and Duncan Robinson. Topics covered in this volume include the connection between the political and the aesthetic in Hogarth's art, verbal/visual relationships in British book illustration, Blake's illustrations to Paradise Lost, late-eighteenth-century portrait miniatures, Cotes's double portrait of the Crathornes, the French Revolution in English graphic art of the 1790s, comic art and the rococo, a study of a Reynolds portrait, and a tribute by John Hayes to Robert Wark's thirty-five years of curatorship of the Huntington Art Collections. The essays are accompanied by 122 color and black and white illustrations of items from leading British and American art collections.

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Download Messerschmidt and Modernity PDF Free

Messerschmidt and Modernity PDF
By:Antonia Boström
Published on 2012-09-12 by Getty Publications

An astonishing group of sixty-nine “Character Heads” by German sculptor Franz Xaver Messerschmidt (1736–1783) has fascinated viewers, artists, and collectors for more than two centuries. The heads, carved in alabaster or cast in lead or tin alloy, were conceived outside the norm of conventional portrait sculpture and explore the furthest limits of human expression. Since their first exposure to the public in 1793, artists, including Egon Schiele (1890–1918), Francis Bacon (1909–1992), Arnulf Rainer (born 1929), and, more recently, Tony Cragg (born 1949) and Tony Bevan (born 1951), have responded to their overwhelming visual power. Lavishly illustrated, Messerschmidt and Modernity presents remarkable works created by and inspired by Messerschmidt, an artist both of and ahead of his time. The Character Heads situate the artist’s work squarely within the eighteenth-century European Enlightenment, with its focus on expression and emotion. Yet their uncompromising style stands in sharp contrast to the florid Baroque style of Messerschmidt’s earlier sculptures for the court of Empress Maria Theresa of Austria. With their strict frontality and narrow silhouettes, the Character Heads appear to contemporary eyes as having been conceived in a “modern” aesthetic. Their position at the apparent limits of rational art have made them compelling to successive generations of artists working in a variety of media.

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